
Showing posts with label CARL MARTIN. Show all posts
Showing posts with label CARL MARTIN. Show all posts
Carl Martin DeLayla XL

The Carl Martin DeLayla XL is designed and developed with one goal in mind: To create a superior echo pedal, with the same sonic quality as the original DeLayla but with new extended features, yet incorporating some of the same features used in vintage tape delay units.
To achieve this, we have incorporated a second delay head (slapback) (similar to using two heads simultaneously on a tape delay).
The SLAPBACK footswitch is used to turn the second delay head on or off. The SLAPBACK knob controls the mix of main delay vs. second delay head. Clockwise movement favors the second delay head; Counter clockwise favors the main delay.
The SB-TRIM knob fine tune the second delay head's time setting compared to the original delay head, by this it's possible to create different delay patterns, going from strict slapback to way offbeat. The TEMPO tap is a real time tempo learn function, allowing you to foot tap the delay time to match the exact beat of the song.
The Carl Martin DeLayla XL also features a built in regulated power supply. The result is a warm, smooth sound reminiscent of the vintage tape units used in the 50's and 60's, combined with modern features.
SPECIFICATIONS:
Power:
100 or 115 or 230 VAC 50-60Hz
Power consumption:
2,1 Watts
S/N ratio:
68 dB
Input impedance:
1M Ohm
Output impedance:
100 Ohm
THD distortion:
0,1%
Frequency range:
40Hz-16kHz
Delay min.:
20 m.sec
Delay max.:
1000 m.sec
Dimension:
186(D) 120(W) 55(H)
Weight:
0,820Kg
Power:
100 or 115 or 230 VAC 50-60Hz
Power consumption:
2,1 Watts
S/N ratio:
68 dB
Input impedance:
1M Ohm
Output impedance:
100 Ohm
THD distortion:
0,1%
Frequency range:
40Hz-16kHz
Delay min.:
20 m.sec
Delay max.:
1000 m.sec
Dimension:
186(D) 120(W) 55(H)
Weight:
0,820Kg
Carl Martin Crush Zone

A vintage style, high-gain/distortion pedal using the same high quality components as its' Carl Martin cousins, the 'Crush Zone' provides everything from a slight edge to your tone, to mind-blowing distortion. Adjust the cool chicken-head knobs for level and distortion, and then refine your sound using the tone control. Crush Zone is housed in heavy die cast case with 9 volt battery compartment and heavy-duty bypass switching.
SPECIFICATIONS:
Power:
9V DC (Hot on ring)
Power consumption:
8 mA
S/N ratio:
54dB
Input impedance:
1M Ohm
Output impedance:
560 Ohm
Tone:
High Cut
Distortion:
+70dB
Dimension:
170(W) 115(D) 70(H)
Weight:
0,850Kg
SPECIFICATIONS:
Power:
9V DC (Hot on ring)
Power consumption:
8 mA
S/N ratio:
54dB
Input impedance:
1M Ohm
Output impedance:
560 Ohm
Tone:
High Cut
Distortion:
+70dB
Dimension:
170(W) 115(D) 70(H)
Weight:
0,850Kg
Carl Martin Compressor/Limiter

Carl Martin Compressor/Limiter has been specially developed to incorporate the same features and sonic clarity found in high quality professional studio compressors. To achieve this we incorporated a variable threshold, -variable compression ratio, -variable attack and release controls and of course, a gain level.
General Guidelines on the use of the Compressor/Limiter:
Threshold: Working anti clockwise, determines how much of the signal will be compressed. This is also dependent on how much signal is fed from the instrument.
Comp: Working clockwise, determines how much compression is applied to the signal allowed by the threshold setting.
Resp: Working clockwise, determines the attack/release times, going from slow to fast. In general, if you want to hear the compressor working with a crisp attack you should use slow times. If you require just a silent limiting you should use fast times.
Gain: Working clockwise, sets the overall gain.
Busy: Indicates the amount of compression being applied, even in bypass mode. The brighter it gets, the more compression is being applied.
Carl Martin Combinator2

The Carl Martin Combinator 2 was designed and developed in response to many requests from guitar players who use lots of effects pedals, but are frustrated by having to press several footswitches in order to turn multiple pedals on and off.
The Combinator 2 is a non-midi programmable effects switching system that handles up to eight pedals. Each pedal is connected to one of eight individual effects loops (two with stereo returns), and then assigned to one or more of 18 groups. Pushing the program switch for a group simultaneously engages all of the pedals assigned to it. So if, say, you have a fuzz, a wah, and a chorus assigned to program switch 1, pressing that switch will turn them all on or off.
The Combinator 2 features 18 programs,- tuner output,- master mute,- three external switches on separate jack output's.
Carl Martin AC-Tone

Carl Martin has nailed the classic Vox tone with this one! The overdrive is low to medium gained for a sweet and crispy with the mellow midrange that reminds one of the old TopBoost amps from the late 60's , the two channels are ranging from a mild breakup to a healthy overdriven sound. One channel can be used for that slightly chimey breakup, and the other channel can be set for more overdrive giving more saturated mids and drive, you can freely set them the way that suits your needs. The AC-Tone has as most Carl Martin pedals a built in regulated (+-12V) power supply, to secure the necessary headroom that gives you the great tone.
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